Snapshots from past workshops
The Washington Calligraphers Guild offers weekend workshops in the
spring and fall, taught by internationally renowned calligraphers
as well as local talent. Aimed at all levels of skill, the workshops
are held at various locations in the Washington, DC area. Below
are photos taken at selected workshops.
At right: Guild members
(from l.) Vicki Futscher, Lorraine Swerdloff and Esther Washington
at a WCG workshop in 1999.
Sheila Waters' March 2000 workshop
photos by Lorraine Swerdloff
Peter Thornton's May 2000 workshop
(photos by Shelly Freishtat)
Kate McKulla (seated on left) guides WCG members in experimenting with the "luminous layering" of Ziller inks in an April 2000 workshop. Kate lettered the Guild's name at right. Below, participant Sally Phillips creates "joy" with Ziller inks.
Above: David Meckelburg (seated) enlivened the italic alphabet for WCG members in two November 1999 workshops (photos by Dottie Gray and Shelly Freishtat).
Left: Patty Shaivitz
Leve (seated) taught Hebrew lettering in October 1999 (photo
by Lorraine Swerdloff).
During her fall 2000 workshop
tour of the U.S., Australian artist Karen Ter Haar (top left) showed
WCG members how to use flat lettering brushes and strokes to create
floral motifs for their art. "Kaz" created the bamboo piece at top
right. Above, participants (from l.) Cynthia Campbell, Louise Harris,
Sandeep Makkar and Maureen Murray practice the strokes. On the following
day, Kaz taught two marbling techniques. Below, Dianne Garrett (l.)
and Sandeep Makkar (r.) pull newly marbled paper from their ink
baths.
Jean Brinton Jaecks, whose artwork is shown at left, conducted a December 2000 workshop on the materials and techniques used by medieval manuscript illuminators. She guided participants as they created their own decorated initial caps, such as the one at right by Ann Pope (actual size 2 x 2 3/4 inches).
Spencerian expert and WCG member Pat Blair taught a November 2000 workshop on this opulent hand, developed in North America in the mid-19th century. Characterized by large flourished capitals, Spencerian is written using a pointed, flexible nib in an oblique pen holder.
WCG member Ann Pope
shared her love of Versals, the decorative letters used by medieval
scribes to begin verses of texts, in an April 2001 workshop. The
artwork below was produced in class by (top row, from l.) Linda
Farquhar, Dale Stein, Phyllis Ingram, and Jennifer Kolls; (second
row, from l.) Karen Daly, Sallie Halley, Kate Purvis, and Lorraine
Swerdloff.
Julian Waters' "Blackletter Variations" workshop:
Eliza
Schulte Holliday's Basic Edged Brush workshop: |
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| November 2002 workshop participants learned to letter using an edged brush with Eliza Holliday (seated above). Shown (above right) is one of her pieces. | ||
Diane
von Arx Anderson's Layout and Design workshop: |
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 Diane
von Arx Anderson taught a WCG workshop in Spring 2002 on layout
and design. Shown is a piece from her portfolio. |
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Sheila Waters' "Pointed Gothic" workshop: |
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In March 2003 Sheila Waters continued her series of workshops on various hands with Gothicized Italic (Pointed Gothic). |
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Sheila Waters' "Adventures in Color " workshop: |
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| Students learned how to mix colors to match anything! See more photos of Sheila's Fall 2005 weekend workshop on color theory and matching. photos by Ann Dorsey | ||
Ewan Clayton's Uncials workshop |
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| British calligrapher Ewan Clayton, an authority on the Lindisfarne Gospels, taught the Uncial script in June 2005. At right, a student practices the basic strokes. photos by Ann Dorsey | ||
Logo at top of page by Rose Folsom. |
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